Tecmerin. Journal of Audiovisual Essays
Issue 10 – 2022 (2)
Miyazaki’s mode of representation
Carmen Galán Muñoz, Gabriel Obando Silva & Sandra Prieto Jiménez (Universidad Carlos III de Madrid)
How to cite this article: Galán Muñoz, C., Obando Silva, G. & Prieto Jiménez, S. (2022) Miyazaki’s Representation Mode. Tecmerin. Revista de Ensayos Audiovisuales, 10, 2022(2). ISSN: 2659-4269
In the Media Studies Department at Universidad Carlos III de Madrid, we have successfully implemented the realization of video essays within different courses in our curriculum. We have encouraged students to submit their works for publication in the journal. The audiovisual essays included in the section “Student Showcase” are the result of this process.
This is a work produced in professor Farshad Zahedi’s “Middle East and Asian Cinemas” course. Students approach to the main aesthetic elements of Hayao Miyazaki’s films.
Other videoessays in this issue
Colonialidad, las bambalinas y la toma larga / Coloniality, the Backstage, and the Long Take / Márton Árva (Universidad Eötvös Loránd)
La exaltación del nacionalismo en el blockbuster surcoreano: Oda a mi padre y Roaring Currents / Sonia Dueñas Mohedas (UC3M)
Drill, baby, drill. La petro-masculinidad en el cine estadounidense / Ariadna Cordal (Universitat Pompeu Fabra)
Cuerpo(s) policial(es) / Edurne Larumbe Villarreal (UPF) & Abraham Roberto Cea Núñez (USC)
Temporal Ghosts | David Lowery’s “A Ghost Story” / Enrique Saunders (University of Reading)
Con la voz presente: Video-ensayos “imperfectos” en el tiempo de cuarentena / Michelle Leigh Farrell (Fairfield University)
Vanguardias clásicas y modernas. El surrealismo / Elena González Janot, Leire De la Peña Aoiz & Natalia Bermúdez Pérez (Universidad Carlos III de Madrid)
Tecmerin. Journal of Audiovisual Essays
ISSN: 2659-4269
© Tecmerin Research Group
Universidad Carlos III de Madrid
